“Greenaway’s obsessive aesthetic measures labor in hybrid forms that venture beyond the traditional territory of film, reaching for that intersection of the map, the wall, and the screen.” 但是在我看来，格林纳威的空间本身（空间的图像，而不是展览图像的方式）好像不是给人居住的，而是如画廊里的画一样供人欣赏的。泛着光泽的物世界和画空间最终呈现出尼采所言“内在的幻觉世界的美丽外观（schein）”，WRITEAS骑马这种外观（appearance/illusion）建造大概就是格林纳威“瓦解边界”的核心
